It’s believed in Ainu culture that textiles have souls and the power to ward off evil spirits. An Ainu woman puts her heart and soul into each stitch of her embroidery, because a garment made without passion would not have a soul. The Ainu, with their distinctive language, religion, and culture in Japan, have always lived in harmony with nature and showed gratitude to the natural world.

In this class, Selina will walk you through a brief history of the Ainu, share images of traditional Ainu textiles, and look into Ainu material culture. She will also discuss contemporary approaches from Ainu artists.

You’ll be invited to explore one of the Ainu embroidery techniques: Kaparamip, which means cutting and applying thin cloth. Selina will demonstrate the full process of this technique covering basting stitch, circular reverse appliqué, high density whip stitch, couching stitch and chain stitch. By the end of class, you will be able to create a sample of the basic Ainu motif, Moreu (spiral), and use these skills to explore more complex patterns.

A detailed PDF instruction on how to transfer the design pattern to fabric will be shared one week before the class, so that focus during class is on the stitching techniques.

Dates
Thursday, February 6, 2025

Time
12pm – 2:30pm EST

Location
Zoom, a link will be sent to participants before class

Cost
$65 for the individual class, $350 for the series

*This session will be recorded. A link to the recording will be emailed to all those who register following the live session. This link is live for one month for you to watch at your convenience.

Materials
An optional TATTER-curated materials kit is available for purchase here! Select ‘Purchase a Kit’ from the drop-down menu after adding your desired classes to  your cart. The materials kit includes most of the embroidery materials you will need for the six week adventure!

(1) Embroidery hoop 
(1) Frixion pen
(1) Pair of blue snips 
(1) Pack of sashiko needles 
(1) Pack of embroidery needles (sizes 5-10) 
(2) Tapestry needles 
(1) Needle Threader 
(10) Appliqué pins 
(1) Olympus carbon paper sheet 
(10) Mirror pieces for Shisha 
(2) Lightweight white cotton pieces 
(1) Mid-weight white linen piece 
(1) Mid-weight blue linen piece 
(2) Muslin pieces 
(1) Lightweight blue cotton piece 
(1) Aida cloth piece 
(1) 28 ct. even weave piece 
(4) DMC Perle cotton Size 8, assorted colors 
(3) Six-strand cotton embroidery threads by TATTER, assorted colors 
(1) Black DMC embroidery floss 
(1) 50 wt. black sewing thread 

Class Materials:

• Base fabric (5x6in minimum): medium weight non-stretch woven cotton, linen, or denim. Lightweight fabric not recommended.
• Appliqué fabric (4×3.5in): lightweight non-stretch woven cotton fabric (poplin, bed sheet, shirt, Sarashi fabric). Wash, dry, iron all fabrics in advance to avoid shrinkage and color bleeding.
• Thick thread for couching stitch: Olympus Sashiko thread thick type, Daruma Sashiko thread thick type, DMC pearl cotton No. 8.
• Thin thread for whip stitch and chain stitch: Olympus Sashiko thread thin type, Daruma Sashiko thread thin type, DMC pearl cotton No. 8, other cotton threads for hand stitching.
• Thread for basting: any type of sewing thread in contrast color to the appliqué fabric.
• Hand stitching needles (2pcs): Assorted gold eye sashiko needles (in different length, thickness and needle eye size).
• A pair of small sharp scissors for cutting fabrics and threads
• Sewing pins (10pcs)
• Thin cardboard (minimum 8x7in) as a working surface: any scrap packaging materials like cereal boxes will do.
• Carbon paper for transferring design pattern to appliqué fabric (1pc): Olympus carbon paper. Use blue for light colored fabrics and white for dark colored fabrics. Alternatives: using light box and fabric markers to transfer the design pattern.
• Washi tape for tracing design pattern
• Ballpoint pen in any color for tracing the pattern
• Fabric marker: FriXion recommended. Test fabric marker on your fabrics first to make sure that the markings will disappear based on the suggested handling from the product.

Our Teacher

Selina Ben is a textile artist and mender based in Amsterdam, the Netherlands. With a professional background in textile product development, her passion for textiles has existed for as long as she can remember.

Selina is inspired by historical textiles around the world. Her curiosity about why the textiles were significant to a place, what materials were used, and how they were made stimulates her creativity. With her practice, she hopes to preserve disappearing techniques and to honor unknown makers and their cultural heritages.

Witnessing landfills overloaded with textile waste, Selina chooses to work with pre-used fabrics. All the signs of wear and tear on the fabrics are a source of inspiration for her creative process. With her hands, needles and threads, Selina brings the fabrics to a new phase of their lives so that people can start looking at our relationships with textiles differently.

Selina believes stitching by hand is the best form of meditation. The repetitive motions of arms, wrists, fingers, needle and thread bring peace of mind and a sense of accomplishment. As time goes by, the grounded feeling arises, the positive energy grows and a new work is born.

Selina’s practice can be found at www.unwrittenstitch.com and Instagram @selinaam05.